John Cox

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8 Most Exciting Upcoming Sci-Fi Movies Based On Books

A ranked rundown of upcoming sci-fi film adaptations, counting down from eight to one, covering everything from Josh Holloway's One Second After and Blomkamp's grittier Starship Troopers remake to Bradley Cooper's long-gestating Hyperion and Villeneuve's still-pending Rendezvous with Rama. It puts Gosling's Project Hail Mary and Villeneuve's Dune Messiah-based Part Three at the top as the most anticipated, with release dates, directors, and casting details noted for each pick. Useful as a quick reference for what's actually confirmed versus still stuck in development limbo.

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The best sci-fi movies on Netflix that are out of this world

[[Netflix]] has commissioned a wide range of original science fiction films, and this Shortlist roundup surveys twenty standout titles spanning cerebral art-house pieces, blockbuster spectacles, bleak dystopias and genre hybrids. Highlights include the time-travel bromance [[The Adam Project]], [[Alex Garland]]’s mind-bending [[Annihilation]], apocalypse thrillers like [[Bird Box]] and political satire [[Don't Look Up]], plus international hits such as China’s grand-scale [[The Wandering Earth]] and South Korea’s stylish [[Space Sweepers]]. The article focuses exclusively on Netflix originals, weighing inventive premises (robotic mothers, cloning conspiracies, cryogenic claustrophobia) and thematic variety — family, class, ecological crisis, surveillance, and AI — to argue that the streamer now supplies a rich, varied sci‑fi catalogue that can satisfy mainstream and niche tastes alike. It includes both polished crowd-pleasers and risk-taking auteur projects that expand the boundaries of genre filmmaking.

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10 Most Underrated War Movies of the Past 5 Years, Ranked

This Collider list counts down ten war films from the past five years that the author feels have been unfairly overlooked, spanning journalism dramas, POW/detention stories, Cold War espionage, and combat pictures. Rather than a straightforward ranking of quality, it's organized around true-story credibility, name-checking specific real figures (Marie Colvin, Franz Jägerstätter, Greville Wynne, Mohamedou Ould Slahi, Harry Haft, Jesse Brown) and the performances that anchor each film, from Rosamund Pike to Ben Foster to Jonathan Majors. Worth keeping as a watchlist for lesser-known awards-adjacent war dramas rather than the usual Dunkirk/Oppenheimer-tier blockbusters.

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10 Most Underrated Movies of the 2020s So Far

A curated list piece arguing that pandemic-era distribution chaos buried a wave of genuinely strong 2020s films—streaming dumps, minimal marketing, and delayed theatrical runs meant titles like "The Vast of Night," "Freaky," "The Outfit," and "Barb and Star Go to Vista Del Mar" never got the audience or critical attention they deserved. It spans genres deliberately, pairing genre fare (slasher comedy, horror, crime thriller) with prestige-adjacent work (Joanna Hogg's "The Souvenir: Part II," Mia Hansen-Løve's "Bergman Island") to make the case that underrated doesn't mean low-quality. Worth keeping as a watchlist source for specific overlooked recommendations rather than a critical essay.

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10 Most Underrated Sci-Fi Mysteries of the 21st Century, Ranked

This Collider countdown ranks ten underappreciated sci-fi mysteries from the last 25 years, spotlighting films that got overshadowed or buried despite critical merit—like "Monsters," "Code 46," "The Discovery," and "Southland Tales." Ad Astra tops the list as the most emotionally resonant entry, with Gaughan praising Brad Pitt's performance and Max Richter's score, while other picks range from Christian Bale's dystopian "Equilibrium" to Ashton Kutcher's surprisingly strong turn in "The Butterfly Effect." The throughline is genre films using speculative premises (time-as-currency, engineered genetics, emotionless societies) to probe real social anxieties, worth revisiting precisely because they slipped past wider audiences.

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30 Best Robert Redford Movies, Ranked

A wide-ranging ranking of Robert Redford's acting and directing career, running from decent-but-forgettable studio fare like "Our Souls at Night" and "The Last Castle" up through more substantial work like "The Horse Whisperer" and "Brubaker." It's essentially a career retrospective published around his death in September 2025, mixing critical assessment with trivia about co-stars and collaborators (Fonda, Pitt, Gandolfini, a young Scarlett Johansson) across six decades of films. Worth keeping as a guided tour through the deep cuts of his filmography rather than just the obvious classics.

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