It was f*****g terrifying” – Paul McCartney, Elton John, Dave Grohl and more share their favourite Bob Dylan stories — Uncut
It was f*****g terrifying" - Elton John, Paul McCartney and more share takes of their favourite Bob Dylan encounters
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It was f*****g terrifying" - Elton John, Paul McCartney and more share takes of their favourite Bob Dylan encounters
Plays from YouTube. Nothing is loaded from Google until you press play.
Song · 1997 · Duration 3:36
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Song · 2024 · Duration 3:23
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Song · 1989 · Duration 3:18
U2 have shared their contribution to the upcoming Shane MacGowan tribute record "20th Century Paddy," a cover of The Pogues' "Yeah, Yeah, Yeah, Yeah, Yeah," out via the album on November 13th. The Edge accompanies the release with a statement framing MacGowan as a figure of deliberate contradiction, comparing him to John B. Keane and The Clash and invoking Wilde's line about masks revealing more than faces. The compilation also boasts Springsteen liner notes plus tracks from Hozier/Jessie Buckley, Tom Waits, Glen Hansard, and Dropkick Murphys, whose "The Body of an American" cover already dropped in June.
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Song · 2026 · Duration 3:24
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Blues Traveler's 1994 breakthrough album Four transformed John Popper's harmonica virtuosity into pop radio gold with the hit "Run-Around," while the band balanced commercial appeal with genuine jam-band ambitions through tracks that referenced Grateful Dead and Allman Brothers influences. Despite lacking the adventurism of those predecessors, Four established itself as one of the era's defining classic-rock releases, particularly through songs like "Hook," which self-consciously examines the mechanics of mainstream success, and instrumentally rich cuts like "Brother John" and "The Mountains Win Again."
A brief working tape version of The Beatles' 1965 song 'Day Tripper' showcasing the band's songwriting process.
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I don't see a saved article here to summarize. What you've shared appears to be a kottke.org post about a clip from Dolly Parton's late 1980s variety show in which she performed "Everyday People" with Kermit the Frog. If you'd like me to summarize this post, the content is already quite brief: it documents a musical performance featuring Dolly Parton and the Muppet character, provides links to watch the clip on multiple platforms, and notes that the full episode is available on YouTube with several guest stars. If you meant to share a different article for me to summarize, please paste the text and I'll be happy to help.
Plays from YouTube. Nothing is loaded from Google until you press play.
Song · 1977 · Duration 2:59
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Song · 1970 · Duration 3:19
Plays from YouTube. Nothing is loaded from Google until you press play.
Flight of the Conchords' second album turns genre parody into its own art form, with targets specific enough to land but songs sturdy enough to survive without the reference points. The piece singles out the Black Eyed Peas, R. Kelly, and Sting send-ups as proof the duo skewer with affection rather than contempt, treating "Too Many Dicks (On the Dance Floor)" as the album's purest distillation of that fond mockery.
I don't see any article content to summarize in what you've provided. The text appears to be navigation elements and footer information from the Old Crow Medicine Show website (Home, Tour, Store, Music, About, Hartland Hootenanny, Newsletter, and copyright information). To write a summary, I would need the actual article text or content. Could you please share the article you'd like me to summarize?
Marking the 35th anniversary in 2026, this piece rounds up four grunge landmarks all released within months of each other in 1991 — Nirvana's Nevermind, Soundgarden's Badmotorfinger, Temple of the Dog's lone self-titled record, and Pearl Jam's Ten — tracing how the Seattle scene's interconnected musicians and chart trajectories turned grunge from a regional sound into the decade's defining genre. It's essentially a nostalgia/listening-guide piece, worth keeping as a quick reference on the lineage and chart performance behind that pivotal year, plus the trivia linking the bands (Vedder auditioning via Temple of the Dog, shared members, single release order).
A complete guitar songbook collecting all 194 Beatles compositions transcribed in their original keys, each with full lyrics, chord names, and diagrams, plus a playing guide and discography for reference. It's pitched at players of any level—self-taught beginners, students, teachers running lessons, or fans wanting sing-along material—rather than offering critical commentary or historical analysis of the band. Worth keeping as a practical reference/practice resource rather than a piece of music writing.
Marks the 2015 reunion of the classic Andrews/Barker/Marsh lineup, a pairing that would anchor the band's next four records, and it's held up as one of the strong ones — home to "Now Those Days are Gone," "Beyond Metropolis," and "Horrors of the Deep." The download edition tacks on extra tracks not found on the CD, so worth keeping for that alone if you want the fuller version of the session.
Celebrate Rubber Soul, The Beatles' landmark 1965 album that saw the band experiment with new recording techniques and push beyond the conventions of pop music. This washed black tee features a distressed oversized Rubber Soul logo for a perfectly worn-in look. Short sleeve washed black 100% cotton tee with Rubber Soul
Marshall's new Heddon is a $300 wireless hub that enables multi-room audio grouping and Wi-Fi streaming for its existing Bluetooth home speakers using Auracast technology, supporting services like Spotify Connect and AirPlay. It works wirelessly with the brand's third-generation speakers (Acton III, Stanmore III, Woburn III) and can connect older models via wired RCA outputs, while also featuring RCA inputs for streaming vinyl records throughout the home. The Heddon is available now with promotional discounts: half off when purchasing one speaker, or free with the purchase of two or more.
An article on Kottke.org that examines the underscore character and its typographic and cultural uses.
Motown Records released numerous sophisticated albums throughout the 1970s that have been overshadowed by the label's reputation for singles and by a handful of canonical works like Marvin Gaye's *What's Going On*. Across releases by The Temptations, Valerie Simpson, the Commodores, Eddie Kendricks, Jackson 5, and others, the label produced mature, inventive soul and funk albums that rivaled the artistic ambition of rock's progressive and singer-songwriter movements, yet have largely escaped critical reassessment. The piece surveys these overlooked records track by track, demonstrating that Motown's album legacy extends far beyond its most celebrated titles and deserves serious recovery.
This might be my favorite U2 song released in the last 15 years since Beautiful Day. Fun listen!