John Cox

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Tagged cinema · everything

Why Cleopatra, Lawrence of Arabia, Ben-Hur & Other Hollywood Classics Still Look So Good | Open Culture

Cleopatra (1963) is argued here to be a case where the notorious expense looks justified in hindsight: its $44 million budget (about $480 million in current dollars) produced physical spectacle, from the giant sphinx and full-scale Alexandria harbor to Elizabeth Taylor's roughly 65 costumes, that still reads as convincing on screen. The piece draws a line through Ben-Hur and Lawrence of Arabia to argue that the 65mm and ultra-wide formats forced real craft rather than shortcuts. It then closes by extending the point to RoboCop, Dick Tracy, and The Fifth Element, asking whether even a trillion dollars could buy the same tangible results today.

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3 Forgotten ‘70s Movies That Actually Shaped Their Genres (Including 2 Cult Classics From Beloved Directors) - ComicBook.com

This ComicBook.com list makes the case that three underrated 1970s films, Spielberg's Duel, Carpenter's Assault on Precinct 13, and Saul Bass's Phase IV, shaped later genres (road-thriller horror, tense siege action-horror, and eco-horror creature features) despite being overlooked today. The piece is useful mainly as a catalogue of how these movies' tropes and techniques quietly spread into the work of later filmmakers.

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The 10 Best Films for Our Current Political Moment

Armando Ianucci, creator of "Veep," drew parallels between Biden's delayed exit from the race and the final voting scene in his film "The Death of Stalin," where characters fear being the first to act against the prevailing order. The piece uses this moment to argue that art inadvertently captures political dynamics we struggle to acknowledge in reality, then expands into a list of ten films—from "Mr. Smith Goes to Washington" to "Lincoln"—that offer deeper insights into contemporary political issues than simple sitcom comparisons can provide.

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Quentin Tarantino’s Favorite Movies: 65 Films the Director Wants You to See

Quentin Tarantino's cinematic tastes span from canonical classics to overlooked gems and mainstream blockbusters, reflecting his encyclopedic knowledge of film history developed during his video store years. His preferences reveal consistent interests in stylistic audacity, practical action sequences, complex character development, and genre-bending narratives—from spaghetti Westerns and exploitation films to screwball comedies and martial arts movies. The article catalogs 64 of Tarantino's favorite films across decades and countries, demonstrating how his admiration for directors like Brian De Palma, Pedro Almodóvar, and Bong Joon-ho has directly influenced his own directorial approach and filmmaking philosophy.

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5 Years Later, These Are the 10 Best Movies of 2021

A retrospective ranking of 2021's best films five years on, arguing that despite the pandemic's disruption of release patterns and awards attention, that year quietly produced an unusually deep field of enduring work. It runs from Joel Coen's The Tragedy of Macbeth and Villeneuve's Dune down through overlooked gems like Mass and Judas and the Black Messiah, landing on The Worst Person in the World at number one as proof of cinema's growing embrace of international, formally adventurous storytelling. Worth keeping as a corrective list-style piece that pushes back against films (like Licorice Pizza or West Side Story) getting overshadowed by their directors' bigger later hits or box-office flops.

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The 10 Most Timeless Classic Film Noir Movies, Ranked

I don't have an article to summarize. The content you've provided appears to be a webpage from Collider featuring a ranked list of classic film noir movies, with detailed descriptions of ten films from *The Killing* (ranked 10th) down to *Sunset Boulevard* (ranked 1st). If you'd like me to summarize a specific article or piece of writing, please share the actual text or content you'd like me to condense.

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The 50 best movies of all time list, according to critic reviews: Metacritic

This is Metacritic's ranked list of the 50 most critically acclaimed films of all time, based on composite critical reception scores. The ranking spans from classic Hollywood and silent films through contemporary Oscar winners, with *The Godfather* topping the list at a perfect 100/100 critical score, followed by *Citizen Kane* and *Rear Window*. The piece demonstrates how critical consensus values both timeless masterpieces and recent achievements, with notable directors like Hitchcock heavily represented across the rankings.

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James Bond Movies Ranked From Worst To Best

This ranking aggregates critical and audience scores from Rotten Tomatoes, Metacritic, and IMDb (combined out of 300) to determine the best and worst Bond films. Goldfinger emerges at the top with 261 points, while The Man With the Golden Gun ranks lowest at 149, with classic Connery films and recent Daniel Craig entries generally scoring higher than Roger Moore's 1980s outings. The list reveals that critical consensus tends to favor Bond films from the 1960s and recent reboots over the middling reviews given to many films from the franchise's middle decades.

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2026 Telluride Film Festival unveils lineup: 9 must-see award contenders

The Telluride Film Festival, held over Labor Day weekend in Colorado, maintains its prestigious position on the awards circuit through a carefully curated, secretly-announced lineup that has consistently launched Oscar contenders—last year's festival led to nominations for films like Hamnet and Blue Moon. This year's slate features world premieres of films like The Debut with Julianne Moore and Andrew Haigh's A Long Winter, alongside Cannes favorites including Fjord and works from major studios like Netflix and A24, all overseen by director Julie Huntsinger's 20-year tenure that has kept the festival free from the diversity and studio participation problems plaguing other festivals. The festival also includes a guest director program curated by actress Rebecca Hall and restored classic screenings.

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8 Near-Perfect Time Loop Movies That Do Something Different

A rundown of eight time-loop films that twist the familiar Groundhog Day formula in distinct ways: The Endless traps each character in their own separate, coexisting loop as a metaphor for nostalgia's pull; Palm Springs and Happy Death Day complicate the trope with a community of loopers and a mortal, unmasking-the-killer stakes clock, respectively; Donnie Darko and The Matrix Reloaded obscure or truncate the loop's mechanics entirely; and Timecrimes, Primer, and Run Lola Run push the concept toward slasher paradox, hard-science realism, and kinetic videogame-like momentum. Worth keeping as a quick reference for how differently the subgenre can handle repetition, memory, and stakes beyond the standard "same day, personal growth" template.

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The 30 Greatest Action Movies of All Time

This article traces the evolution of action cinema from its roots in early silent films to the present day, arguing that action emerged as its own standalone genre rather than merely serving as set dressing for Westerns, spy thrillers, and sci-fi adventures. The piece presents thirty essential action films spanning from 1953 to 2018, organized chronologically, with the caveat that it focuses primarily on movies made after 1970 when action truly crystallized as a primary genre, while briefly acknowledging influential precursors like *The Wages of Fear* and *Seven Samurai*. Each entry describes how the film either pioneered specific action techniques, influenced subsequent filmmakers, or achieved a perfect balance between visceral spectacle and emotional or character-driven storytelling that defines great action cinema.

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