Tarantino’s Fan Fiction: Once Upon a Time in Hollywood
Kirby Ferguson's video essay traces how Tarantino's signature remix technique evolved past overt film-quoting (à la Kill Bill) into something subtler in Once Upon a Time in Hollywood, where he remixes real historical events, figures, and Hollywood lore rather than other movies' footage. The argument is that the copying habit never stopped—only the source material shifted from cinema to reality itself. Worth keeping for the reframing of Tarantino's "originality" as a continuation, not abandonment, of his remix ethos.